Claude Sonnet 5.559.6/100Rank 10/43

STEALTHMARK · HEAD TO HEAD
All comparisons ↗Claude Sonnet 5.5 leads Gemini 4 Argon by 2.9 points on StealthMark, 70.4 to 67.5. It leads on 5 of 9 benchmarks, including both games, and Gemini 4 Argon on 4. Gemini 4 Argon scores higher on Newton's Mirror, with its largest category advantage in reflections.
See the difference ↘BENCHMARK BY BENCHMARK
Planning and learning across maze levels. Collect coins while avoiding ghosts. Ghosts move before the player each turn, and collisions cost a life. 3 levels in sequence, up to 66 turns in total. Earlier moves and outcomes carry forward, testing learning across levels.


Cooperative planning across puzzle levels. Coordinate two robots to push numbered cores onto matching sockets. Pressure plates hold doors open; moving either robot uses one turn. 5 levels in sequence, up to 152 turns in total. Earlier moves and outcomes carry forward, testing learning across levels.


Physics, perspective and recursive reflections, tested together. Explore the test ↗


Claude Sonnet 5.5
The near-field silhouettes, broad perspective and paint contact order are recognizable. Missing outer chains, truncated repetitions and absent ordered imagery within the main and reflected spheres substantially limit the reflection system. Sparse spherical highlights leave much of the curved room and emitter mapping unsupported, despite some plausible planar light sequences.
Gemini 4 Argon
The central sphere, separate airborne black blob, flattened cyan contact and displaced crimson aftermath support the principal camera and physical-state requirements. Open lateral lanes and initial reflection placements provide partial optical structure, but missing outer chains, sparse nested imagery and incomplete emitter mappings remain substantial limitations. The raised crimson mass also weakens paint-scale fidelity.
| Category | Claude Sonnet 5.5 | Gemini 4 Argon |
|---|---|---|
| State at 600 ms | 25.0/25 | 24.5/25 |
| Camera and placement | 15.0/15 | 14.5/15 |
| Reflections | 35.0/120 | 50.5/120 |
| Materials and scale | 10.0/10 | 8.5/10 |
| Floor-damage reward | 0.0/10 | 0.0/10 |
A spinning metal sphere and paint in a mirrored room test physical reasoning, perspective and consistency across repeated reflections.
Visual construction and creative interpretation.


Claude Sonnet 5.5
The centered coral squid has a friendly, composed expression and a balanced flower-like silhouette. Eight thick arms and two slender tentacles remain visibly connected, with no inverted parts. The mantle is elongated rather than compact, and the arm spacing is uneven. Soft shading gives volume, but dense stippling weakens the requested smooth matte finish; the broad background halo makes depth less precise.
Gemini 4 Argon
An appealing, controlled illustration with a distinctive buoyant silhouette, expressive comic face and rich luminous colour. The full composition and grounded slipper read clearly. The principal limitation is the crowded raised-foot interaction: paws, toes and lining overlap without making the bent leg or tight fit unmistakable.
| Category | Claude Sonnet 5.5 | Gemini 4 Argon |
|---|---|---|
| Task & likeness | 8.0/10 | 7.0/10 |
| Anatomy & construction | 8.0/10 | 6.5/10 |
| Space & placement | 8.0/10 | 7.5/10 |
| Light & reflections | 7.5/10 | 7.5/10 |
| Purposeful detail | 8.0/10 | 8.0/10 |
| Artistry & character | 8.0/10 | 7.0/10 |
| Materials & effects | 8.0/10 | 7.0/10 |
| Visual integrity | 8.5/10 | 7.5/10 |
Claude Sonnet 5.5
A coral squid with spreading arms tests connected anatomy, balanced composition and soft surface shading.
Gemini 4 Argon
A luminous little dragon struggles with its bedtime slippers while a buoyant tail pulls it upward. The scene tests expressive anatomy, physical contact and the contrast between translucent forms and heavy objects.
Precise visual recall and portrait reconstruction.


Claude Sonnet 5.5
The crossed hands, dark dress, restrained smile and winding landscape clearly recall the Mona Lisa. Replication is limited by the frontal symmetry, wide eyes, elongated neck and flattened fingers. Soft facial shading provides volume, but heavy darkness and pervasive crackle obscure forms. The composition is coherent; the landscape and fabric remain visibly schematic.
Gemini 4 Argon
A coherent, moderately complex Mona Lisa reconstruction with substantial portrait volume, articulated clothing and landscape recession. Specific source features support replication beyond recognition alone. Altered facial likeness, uncertain crossed-hand anatomy and pervasive colored crackle keep the result uneven despite its developed shading and detail.
| Category | Claude Sonnet 5.5 | Gemini 4 Argon |
|---|---|---|
| Task & likeness | 6.5/10 | 6.5/10 |
| Anatomy & construction | 5.0/10 | 6.5/10 |
| Space & placement | 6.0/10 | 6.5/10 |
| Light & reflections | 6.5/10 | 7.0/10 |
| Purposeful detail | 6.0/10 | 6.0/10 |
| Artistry & character | 6.5/10 | 6.5/10 |
| Materials & effects | 6.0/10 | 7.0/10 |
| Visual integrity | 6.5/10 | 7.0/10 |
An SVG interpretation of the Mona Lisa tests facial likeness, anatomy and the composition of a familiar portrait.
Creativity, perspective and visual beauty.


Claude Sonnet 5.5
A richly designed beach illustration combines radiant sunset bands, intricate palm fans and playful silhouettes within a cohesive purple, coral and turquoise palette. Carefully varied accessories reward close inspection, while overlapping foreground forms and shoreline layers organize the abundant activity. Dense palm strokes compete with focal subjects; animal anatomy, relative scales and reflected silhouettes remain simplified.
Gemini 4 Argon
A strong decorative beach illustration with controlled color, intricate silhouettes and abundant playful detail. Connected dolphin forms and recognizable equipment support its construction, while the aligned sunset reflection anchors the scene. Compressed wave depth, ambiguous foreground support and uneven reflection specificity limit physical coherence. The saved comparisons support retaining the category assessments.
| Category | Claude Sonnet 5.5 | Gemini 4 Argon |
|---|---|---|
| Task & likeness | 9.0/10 | 9.0/10 |
| Anatomy & construction | 8.0/10 | 7.5/10 |
| Space & placement | 8.5/10 | 8.5/10 |
| Light & reflections | 8.5/10 | 8.5/10 |
| Purposeful detail | 9.5/10 | 9.0/10 |
| Artistry & character | 9.5/10 | 8.0/10 |
| Materials & effects | 8.5/10 | 8.0/10 |
| Visual integrity | 8.0/10 | 8.0/10 |
A busy shoreline at sunset tests scene composition, animal forms and the relationship between light and water reflections.
Physical reasoning, light and visual reconstruction.


Claude Sonnet 5.5
This benchmark has not been assessed yet.
Gemini 4 Argon
This benchmark has not been assessed yet.
A plank, computer mouse and blueberry in a steel room test physical stability, spatial relationships, materials and lighting.
Scene composition and interacting subjects.


Claude Sonnet 5.5
The raccoon clearly rides on the dog's back while the dog grips the jet ski controls. Expressive faces, vivid colors and a sweeping wake make the scene appealing. Visible limbs connect coherently, but overlapping steering paws and an indistinct control mounting weaken construction. Flat character lighting and simplified water limit depth and material realism.
Gemini 4 Argon
An accomplished illustration with expressive characters, intricate spray and strong depth. Direct back seating, steering connections and hull-water contact are only partly demonstrated. Clean graphic execution and purposeful detail remain strengths, while shadows and reflections provide limited physical grounding.
| Category | Claude Sonnet 5.5 | Gemini 4 Argon |
|---|---|---|
| Task & likeness | 8.5/10 | 8.5/10 |
| Anatomy & construction | 7.0/10 | 8.0/10 |
| Space & placement | 8.0/10 | 7.5/10 |
| Light & reflections | 6.5/10 | 7.5/10 |
| Purposeful detail | 8.0/10 | 8.0/10 |
| Artistry & character | 8.0/10 | 8.5/10 |
| Materials & effects | 7.5/10 | 8.0/10 |
| Visual integrity | 8.0/10 | 8.0/10 |
A jet-ski scene pairs a canine driver with a raccoon passenger. It tests the placement and contact of interacting subjects, along with vehicle construction.
Subject construction and spatial relationships.


Claude Sonnet 5.5
The pelican is immediately recognizable, with an expressive face, generous bill and appealing cycling pose. Spokes, chain, feathers and scarf provide purposeful detail. The bicycle largely holds together, though overlapping angular legs obscure the far foot’s pedal contact. Clean outlines and balanced composition succeed; flat surfaces and limited directional lighting constrain depth.
Gemini 4 Argon
An expressive, detailed illustration with controlled gradients and coherent environmental depth. Continuous body contours and connected bicycle components establish competent construction. Steering grip and pedal engagement remain less explicit than the decorative details and wheel placement. These contact uncertainties limit action and placement credit without establishing broken anatomy.
| Category | Claude Sonnet 5.5 | Gemini 4 Argon |
|---|---|---|
| Task & likeness | 9.0/10 | 8.5/10 |
| Anatomy & construction | 7.5/10 | 7.5/10 |
| Space & placement | 7.5/10 | 8.0/10 |
| Light & reflections | 6.5/10 | 8.0/10 |
| Purposeful detail | 8.0/10 | 8.5/10 |
| Artistry & character | 7.5/10 | 8.5/10 |
| Materials & effects | 6.5/10 | 7.5/10 |
| Visual integrity | 8.0/10 | 8.0/10 |
A cycling pelican tests anatomy, riding posture and contact between the bird and the bicycle.